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The Hot Songs of 2020



The half of 2020 has posed many questions most of us never thought we'd have to answer in our lifetime, including: "What does pop mean in a world of self-isolation?" If pop music isn't enjoyed and celebrated the way it was intended in communal spaces like concert halls, dance clubs, bars, and even private parties can it even really still be called pop music?

The answer, of course, is yes. We've found that in times of quarantine and other crises, music is as meaningful as ever, even just as the soundtrack to such menial activities as doing the dishes, taking a walk around the block or just sitting at home and wondering when or if things will feel normal again. As difficult as this period has been, we doubt we could've gotten by without these songs and we look forward to making up for lost time with them at whatever point we're finally able to celebrate them publicly.


Here is the list.

1.      Harry Styles, “ Adore You ”
Though released in December 2019, Harry Styles’ Fine Line grew roots in 2020 thanks to undeniably catchy singles “Adore You” and “Watermelon Sugar.” And while lead single “Lights Up” officially ushered in Styles’ second album, it’s the Top 40-friendlier “Adore You” that best marks his place in pop today and scored him his first No. 1 on Billboard’s Pop Songs radio airplay chart. After all, in addition to a gorgeously crafted hit, there are few things better than having someone plea through pitch-perfect vocals to “just let me adore you.” Only a fool would turn down an offer like that.
https://youtu.be/VF-r5TtlT9w                                                     

2.      Doja Cat, “ Say So ”
Even in a year where top 40 has been absolutely swarming with disco retro, there's an ease to the throwback elements of Doja Cat's "Say So" that makes it feel the least consciously backward-looking of the year's best floor-fillers. The singer-rapper born Amalaratna Zandile Dlamini glides on the beat like she's doing a lap around the roller rink, her airy coo and over-caffeinated spitting both matching the sublime guitar-chop funk as naturally as Diana Ross jamming with Nile Rodgers 40 years earlier. Of course, it's not Rodgers but Lukasz "Dr. Luke" Gottwald the writer and producer accused by Kesha of sexual assault and other abuse who Doja's sharing the floor with on "Say So," an uncomfortable fact that shouldn't be ignored, even when celebrating what's clearly one of the most irresistible pop songs of 2020.

3.      Selena Gomez, “ RARE ”
The title track and mission statement for Selena Gomez's most personal album to date, the failing-relationship lament "Rare" is full of the production and lyrical detail that has set the last four years of the pop star's work apart. "Saw us getting older, burning toast in the toaster, my ambitions were too high," Gomez moans over subtly swinging bass and layered percussion, finding the stability and self-confidence to say what she needs. "I don't have it all, I’m not claiming to, But I know that I'm special," she proclaims, a hard-earned self-affirmation that feels like the culmination of something important for both Gomez and her long-devoted fans.

4.      Lady Gaga & Ariana Grande, “ Rain on Me ”
Chromatica lead single “Stupid Love” hinted at Lady Gaga's return to the breakneck electro-pop that made her a household name and then follow-up “Rain On Me,” a maximalist dance workout with Ariana Grande, confirmed pop fans’ greatest hopes. Two of the most powerful pop vocalists of the past decade linking up for an up-tempo stunner built around the line “ I’d rather be dry, but at least I'm alive,” proved to be as life-affirming as intended.

5.      The Rolling Stones, “ Living in a Ghost Town ”
Nearly 60 years into their career, the Rolling Stones prove they can still capture the angst of the moment with “Living In A Ghost Town,” a reggae-tinged blues-rocker in which Mick Jagger declares: “Life was so beautiful and then we all got locked down.” With Keith Richards’ unmistakable, stabbing riffs and Jagger’s echoing vocals (and blues harp solo), the basic the track had been cut last year, after which “Mick and I decided this one really needed to go to work right now” says Richards. The first original song released by the Stones in eight years is relatable for fans everywhere as Jagger wails: “Please let this be over and not stuck in a world without end.”



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