A magical dot over in the corner.
Watching Hiyao Miyazaki's "Spirited Away" for the third time, I was struck by a quality between generosity and love. On earlier the views I was caught up by the boundless imagination of the story. This time I began to focus on the elements in the picture that didn't need to be there. The animation is a painstaking process, and there is a tendency to simplify its visual elements. Miyazaki, in contrast, offers complexity. His backgrounds are rich in detail, his canvas embraces space liberally, and it is all drawn with meticulous attention. We may not pay much conscious attention to the corners of the frame, but we know they are there, and they reinforce the remarkable precision of his fantasy worlds. "Spirited Away" is surely one of the finest of all animated films, and it has its foundation in the traditional bedrock of animation, which is frame-by-frame drawing. Miyazaki began his career in that style, but he is a realist and has permitted the use...